An evening where the arts meet, reinvent themselves and engage in limitless dialogue

Marie-Agnès Gillot performs an excerpt from Black over Red, a Carolyn Carlson creation created for the Mark Rothko exhibition at the Fondation Vuitton. Here, there are no spikes or big splits, just raw, vibrant movement, driven by pure emotion. Johana Malédon, meanwhile, unveils Titre provisoire, a piece in which dance is in perpetual mutation. Between deconstruction and rebirth, her body explores, searches, hesitates, asserts itself and transforms itself before our very eyes.

The two solos follow one another, then the bodies come together in a third act led by author Zadig Hamroune. It's a question of body and graph, vocabulary and syntax, phrasing and rhythm, to highlight what dance owes to writing and vice versa. Both are invited to improvise a dance based on texts written for the occasion. A new dance of words in pas de deux is created before our very eyes.

A memorable evening where the arts meet, reinvent and dialogue without limits.